This artistic research project researches the agency of costume in performance and how costume can generate or be a centre of gravitation in a performance.
Costume Agency is supported by Norwegian Artistic Research Program and Oslo National Academy of the Arts.
Aoife Monks, the author of “The Actor in Costume” states that costume is that what is indistinct from the body, yet something that can be removed. We believe that costume is, as all elements in the entity of a performance, mutually influenced by the other elements. We take Monks theory one step further and claim that costume is an interaction between the four components: garment, body, action and context, and that these four components form one dynamic whole. We want to research this unity from the starting point of the garment.
Over the duration of this project a series of performances will be developed where costume will serve as a starting point and core element. To ensure the fulfilment of the vision that is imbedded in the garment, this research requires the costume designer to take the creative lead in the project, responsible for the artistic vision from initial idea to final presentation.
Our research goal is to explore the full performative potential of garments holistically within the complex system of body-garment-action-context. The approach will be partly phenomenological and partly socio-political. The research is primarily approached in workshops lead by costume designers, which pursue the vision embedded in the garment. The workshop format follows a set dogma that involves six designers and four performers for eight days of rehearsals, over a period of twelve days of explorations, dialogue and development. There will be ten workshops in total.
Ongoing research is mostly academic and artefact-based, with less artistic practice based methods. We want to utilize the momentum in academic research to propose a complimentary project based on artistic research. The project maintains a dialogue with a reference group of academics. They will act as respondents, studying our findings and questioning the artists in their methods of working, thinking and creating. The final presentation, a festival in 2020, will be a platform where a larger group of artists and academia meet.
The potential of the project to break new ground lies in a unique possibility for the costume designer to control the resources of the performance and the possibility for a common platform for academic and artistic reflection. The project will run from August 2018 through December 2021.
Activity plan Costume Agency
Lotker and Lindgren preparing and planning
Week 1 and 2: Workshop #1 Hedda Gabler at Oslo National Academy of the Arts (KHIO)
Week 10 and 11: Workshop # 2 Devising Garment at the Academy of the Performing Arts in Prague (DAMU)
June 6th till 16th: Presentation on Prague Quadrennial of Performance Design and Architecture: Saturday 8th 2020 at PQ Talk: http://www.pq.cz/projects/event-detail-en/?exhibition=243&day=sat-8
Week 43 and 44: Workshop #3 Performing Costume at Oslo National Academy of the Arts (KHIO)
Preparing for Costume Agency Festival, Conference and Exhibition 2020 in Oslo
Preparing for Costume Agency Festival 2020 and Conference and Exhibition 2020 in Oslo
Week 33 and 34 (August 10thtil 21st) at Oslo National Academy of the Arts (KHIO): Costume Agency Festival 2020 with Workshop # 4, 5, 6 and 7
August 21sttil 23rd: Prolongation of Costume Agency Festival into Conference and Exhibition in Oslo
Autumn: Workshop # 8 at University NN
Workshop # 9 at Aalto University in Helsinki
Workshop # 10 at the Academy of the Performing Arts in Prague (DAMU)
Preparing a guest-edited special issue in the academic journal
Book-release of a guest-edited special issue in the academic journal
December 2021: Final dissemination at Oslo Academy of the Arts.